Korrektur der Gegenbewegung (Correction of Countermovement) deals with the spatial perception of the big city in motion. Impressions of the fragmentary and fleeting emerge, as they are familiar from transit situations. The view from a moving car through grid structures transforms the passing facades into rushing disturbing images. In passing, the view of blinds behind reflecting shop windows evokes images of urban flickering. The graphic structure of the Novotel in Vienna, shot on camera from a train, is translated into rhythmic architectural fragments. Repetitive sequences that evoke vibrating and pulsating patterns and overwhelm the eye are reminiscent of visual means of Op-Art.
